For those who aren’t familiar with your journey, how did you get into producing?

I was awful at school and I was lucky enough to have a French tutor to drag me to a C grade in GCSE's, but his main influence was his love for music and we'd usually spend parts of the lessons talking about it. He ended up giving me a copy of Logic 9 and thus birthed my obsession with this style of music composition.

Your releases have a big trance warehouse & four to the floor sound, especially on your track “Lucky Dip”. What are the main inspirations for your “Cosmic Confession EP”?

I dig through a lot of late 90's early 00's Prog and the whole EP is more or less a reflection on those inspirational digs. Cosmic confession was written around 3 years ago for Alex T who was starting a label then. He is no longer with us, but I'm sure he'd be chuffed with the home it's got now.

What is a record, party or musical experience that changed your life forever?

A couple memories spring to mind: Marco Shuttle playing in the beautiful hills near Budapest (stunning atmospheric techno) and Jane Fitz b2b Carl H on a few occasions really hit my soul. A particular b2b at Gottwood one year from Roman Flügel and Ben UFO really stuck in my memory.

A track that changed my life is the original Fluke track from the rave scene in Matrix Reloaded. Club version is called 'slap it'.

How do you think Leeds, and Yorkshire more generally, has impacted the sort of music you make? Has nature inspired you in any way?

I would say most of my current influences are outside of the UK but I guess from my early days in Leeds, going to wire and hearing great techno and house had some impact.

What has been a career defining moment for you so far?

Honestly the biggest moment for me was realising that making music is what made me happy and I should build my life around it. I quit my day job at the start of COVID like an idiot, but it turned out to be the best decision of my life. I had no money, but I had all the time in the world to do music. I came out of COVID in a very good position because of how much music I made and much I improved over that time.

Are you more of a software lad or a hardware geezer?

For my style and workflow I prefer software. I like being able to produce the same way anywhere I go. On the train, bus, in bed....

Talk us through the track you last [cmd] ‘S’d ? ([ctrl] ‘S’ to PC users)?

Haha, I CMD S in my sleep. Na, it's called schtoopbloop and is a prog-deep tech hybrid track with a nice balance of drive and atmosphere.

What can the CDR audiences expect from your time with us?

Hopefully some tips and tricks that can spur on and inspire people. Obviously, everyone works and learns in a different way, but I like to think that some of the knowledge I can pass on is more universally accessible.

And finally, for those just getting to grips with producing and keen to get their Works In Progress out there, what advice do you have for them?

Practice consistently, surround yourself with like-minded people, don't be afraid of rejection - 'failure' is the most prominent lesson. Be brave, believe in your music and abilities and ENJOY THE JOURNEY XX